Zombie Tales: Good Eatin’ A series of vignettes about the world overtaken with zombies. The first story begins on a strong note but the first half was less engaging, it takes the second half for the real ghoulish tales to come out.

Zombies are by far the ultimate supernatural baddie because they have no rhyme or reason. Their only urge is destruction at all costs and because of that there is no way to out-smart a zombie. I think ultimately zombie-stories are about the fear of pack-mentality within society. What can we, as individuals, do when we’re faced with the wall of opposition that is “what the majority thinks”? Fighting zombies is about fighting against the status-quo and daring to blaze a new direction that hasn’t yet been figured out.

While Zombie Tales is an easy enjoyable read, a few of the stories could have been developed into longer versions, while still others were perfect in their brevity. Headshot and Lucky Dog were just long enough for the twist at the end to pay off. The short-story is an important sub-genre of horror because it allows for you to identity with the magnitude of the situation characters face, with none of the attachment. It’s so much easier to delight in the destruction of life in a short-story format because there is no guilt attached: a single slice of horror, half the calories. What both of these managed to capture was the delight in the mayhem zombies can create.

Backbiter, on the other hand was so deliciously evil it needs to be re-imagined as a full-length graphic novel. It was like the horror version of an Archie comic and everything from the design aesthetic to the Tarantino-esque visuals and pacing was too fun to end so soon.

28 Days Later: London Calling is the first in a series of graphic novels attempting to bridge the gap between the first film by the same name and its sequel. The narrative begins with Selena, a survivor from the first film now relocated into a refugee camp for those who managed to make it off the island of the UK after the infection have decimated so many. The plot sees her return to the sight of infection that follows a similar logic as behind Jurassic Park 2. I mean you want her to go back because she’s a kick-ass zombie-killer but there is NEVER any good logical explanation for why anyone would return!

In any event the high-stakes are raised immediately with the infected lurking in every corner. There is one particularly chilling scene that involves something soft to land-on but not without a price.

I would recommend Zombie Tales for those looking for a light bit of quick reading but 28 Days Later more-so for fans of the film looking to find out what happened to Selena post-escape from zombie-island.